• Top Clicks

    • None
  • Advertisements

Mopping Up

So it’s all over for us. As the eyes of the nation turn west- and south-ward, Philly can ditch the political drama and go back to plain old murder and mayhem, right? Not quite. The Theater Alliance of Greater Philadelphia‘s listserv was burning up in the weeks leading up to the primary, and now, in some sort of exquisite water torture for liberals, the vicious debate will be laid out onstage for all to see Saturday, May 3, 8 p.m. at Second Stage at the Adrienne.

A few things astonished me about this heated back-and-forth.

  • First: there are conservatives among drama professionals, like, real red ones. Though I can’t quite figure out what could possibly be in it for them other than an inherited bias, they are vehement and as convinced of McCain’s relevance to their lives as any hedge fund trader or military engineer. 
  • Second: People actually “went there” on Clinton, making pantsuit jokes and the like. Theater people. And I don’t think these posters were even the gay ones, who could get away with it. 
  • Third: No one really wanted to go there on Obama, which, I guess, is at least one positive sign. Maybe we can credit Rev. Wright for serving as the receptacle for this contest’s racial enmity and diverting it from the candidate himself. This effect even seems to have spilled over into the real world. Remember in New Hampshire when those dudes yelled, “Iron my shirts!” at Hillary? We never saw a corollary pair of douchebags running around in blackface at an Obama rally (I’m sure they were somewhere, of course, just not out in public). So thanks, Rev. Wright, at least for that.
  • Fourth: The listserv’s, er, discussion had remarkably little to do with the candidates’ relationship to the arts, which was, to me, distressing. There was even a brief flare-up about abortion, but nothing, NOTHING about the issue that most directly affects everyone on TAGP’s e-mail list. Business-owning republicans won’t shut up about taxes; shouldn’t arts professionals be slightly concerned about their candidates’ approaches to arts and education? Hello? Anyone?
  • Fifth: Show folk will find an excuse to argue about almost anything. 

I’d love to see the Second Stage event used as a means to discuss the issues surrounding our careers and the candidates’ potential effect on them, or perhaps to galvanize the theater community into advocating that the arts and arts education take, if not center stage, then at least a supporting role during this political season–something I’m hoping every listserv member can agree upon. Though rehashing the old political divides will no doubt provide the same entertainment value once offered by the Romans to their people in the form of bears and slaves, moving forward with a November game plan has far more to do with creating an actual theater alliance.

Gladiator v. tiger

Advertisements